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David Bindman biography |
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Shorter... ![]() Longer.. David was
born in New York City in 1963. He began playing
violin at five, at ten switched to alto sax, then
played drums. Early on, music was all around at
home, from the sounds of Paul Robeson, Pete Seeger,
Roberta Flack and John Coltrane to the musicians he
saw perform in his hometown of Englewood, NJ,
including Dizzy Gillespie. These sounds were, for
David, indelibly connected with the values his
mother Ellen embodied through her peace and human
rights activism and teaching. In 1977,
living with his grandparents in Vermont, having
begun exploring improvisation on his own, David
began playing with fellow high school students,
pianist Jim Sugarman and drummer Ben Wittman. David
studied briefly with saxophonist Sigurd Rascher and
then with saxophonist Stephen Horenstein. Introduced
to the music community at Bennington College, he
became part of trumpeter/composer Arthur Brooks'
ensemble, and, during his last year in high school,
received a scholarship to take a class with
trumpeter/composer Bill Dixon. As an
undergraduate at Wesleyan University in the early
1980s, David studied with saxophonist Bill Barron,
trombonist Bill Lowe and others in Wesleyan's World
Music Department. He became a member of Talking
Drums, led by master drummers Abraham Adzenyah and
Freeman Donkor. The group toured the US and released
the LP Some Day Catch Some Day Down (Shanachie,
1987, reissued as a CD on Innova in 2011). During
this time David was also a member of the collective
quartet JUBA, with bassist Wes Brown, drummer royal
hartigan, and Bill Lowe, and Wadada Leo Smith's New
Dalta Ahkri. In the early
1990s, living in Brooklyn, David performed and
collaborated on projects with artists across
disciplines. Along with poet Tyrone Henderson and
visual artist Quimetta Perle, he created music for
the The Madman, Strawman Dance, and other
multi-media works, with performances at P.S. 122,
the Nuyorican Poets Café, the Knitting Factory and
other venues in New York and New England, and in
Manchester, UK. The CD Strawman Dance was released
on Konnex in 1994. David also lformed a trio with
Kevin Norton and Joe Fonda (Imaginings, CIMP, 1997)
and co-founded the Brooklyn Sax Quartet with Fred
Ho. The BSQ released two CDs, The Way of the
Saxophone (Innova, 2001) and Far Side of Here
(Omnitone, 2005). The quartet included, at different
times, Sam Furnace, Chris Jonas, John O'Gallager,
Rudresh Mahanthappa, Ned Rothernberg, Sam Newsome,
and many guest performers. The group toured the
western USA and Canada, performed David's
arrangement of Hector Berlioz's Romeo and Juliet
live on WNYC's Soundcheck with John Schaefer and at
Joe's Pub at the Public Theater, and performed often
at the Brooklyn Academy of Music's BAM Café. During
this time David appeared on recordings with Fred Ho,
Kevin Norton, Ehran Elisha, Joe Fonda, Scott D.
Miller, Anthony Braxton, and others. He toured with
Fred Ho's Afro-Asian Music Ensemble and Monkey
Orchestra, performing at BAM, the Walker Arts Center
in Minneapolis, the Atlanta Arts Festival, the
Seattle Children's Festival, and the Guggenheim
Museum, and many other venues. The
collaboration between Wes Brown, royal hartigan, and
David Bindman, joined in 2003 by pianist Art
Hirahara, continues today under hartigan's
leadership as Blood Drum Spirit. The quartet
released three double CDs, Time Changes (2019), Live
in China (2008) and Blood Drum Spirit (2000), and
conducted numerous educational residencies in the
USA and abroad. The group's 2015 collaborations with
Ghanaian musicians, dancers, singers, and poets, the
histories of the quartet's members, and the
connections of jazz with West African music/culture,
are the subjects of the documentary film We Are One,
directed by Sara Pettenilla. In 2017, Blood Drum
Spirit toured Ghana for a second time, sponsored by
the U.S. State Department. This tour included new
collaborations, film screenings, discussions, and
performances. The group has performed in the US,
China, the Philippines, and Trinidad. In 2006
David began composing a series of extended suites
for sextet. He has since self-released two CDs by
the David Bindman Sextet, Sunset Park Polyphony
(2012) and Ten Billion Versions of Reality (2017).
David collaborated with visual artist Malin
Abrahamsson on the music/abstract animation Human
Diaspora: The Dream Space Continuum, with music
performed by the sextet. The work was premiered at
theCollege of Visual and Performing Arts, UMass
Dartmouth in 2016. In 2018 David performed in
Jerusalem with Stephen Horenstein's Lab Orchestra,
and, in Tel Aviv, a concert of his sextet
compositions, joined by five Israeli musicians. The
concert included a reunion duet with Horenstein. In
2019, David began collaborating with drummer Michael
Sarin and mallet percussionist Stefan Bauer. The
first performance by their Relative Motion Trio took
place at ShapeShifter's Lab in Brooklyn in fall
2019. The trio released the CD Relative Motion in
2022. David
was born in 1963 in New York City. He graduated
from Wesleyan University in 1985 and received an MA
in World Music from Wesleyan in 1987. He has
received grants from the Brooklyn Arts Council, the
Queens Council on the Arts, the Puffin Foundation,
Meet The Composer, and The Aaron Copland Fund for
Music Performing Ensembles. He has taught in the New
York City school system, Bennington College,
LaGuardia Community College, and The New School
University, and has conducted or assisted in master
classes throughout the USA and in Canada, Sweden,
Trinidad, Ghana, China, and the Philippines. In
addition to his work in music, he designs curriculum
and teaches for union-based programs in NYC under
the auspices of the Consortium for Worker Education.
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