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David Bindman reviews |
This page is being revised... Reviews of Sunset Park Polyphony review by Karl Ackerman, All About Jazz review by Sergio Piccirilli, El Intruso (in Spanish) review by Richard Kamins, Step Tempest review by Bruce Gallanter, Downtown Music Gallery review by David R. Adler, New York City Jazz Record review by Mike Shanley, Shanley on Music David Bindman's compositions have been described as... '...smart, fun, and multiculturally funky.' - Alexander Varty, Georgia Straight 'Bindman's steamy Climate Conditions (talk about neohot jazz!)... Marvelous is Gadzo music, credited to the Ewe people of Ghana and Bindman. It shines in glorious West-African minimalist rhythms...' - Mark Alburger, 21st Century Music 'Inspired writing fuels the group...David Bindman pens a virtuoso turn on Dizzy Gillespie's 'A Night In Tunisia,' lightning variations on 'Spinning' and reggae asides on 'Jajo.'' - Fred Bouchard, Downbeat '...a cool, complex and visionary model of artistic endeavor.' - Steven Loewy, All Music Guide '[Bindman, Fonda and Norton] ...are great at finding a musical moment, attacking it, and pulverizing the traditional grooves into tiny glass shards...' Ted Bonar, Modern Drummer 'Truly a merging of wide sounds...tuneful to the last.' - Andy Bartlett, Cadence press on the Brooklyn Sax Quartet: "An experimental ethos dominates ...a powerful and worldly ensemble" - Nate Chinen, The New York Times "The vibrancy and emotion of the Brooklyn Sax Quartet underscores its social conscience. This inventive group puts together a program that embraces multiculturalism and acknowledges the struggle against injustice without proselytizing". - Terrell Holmes, All About Jazz "...it's a treat to hear...At some point they break into pairs for contrast, at others allowing a lone voice rise above the group action." - Gary Giddins, Village Voice"For fans of the saxophone, it just doesn't get any better than a saxophone quartet. And when it comes to that already rare configuration, nobody straddles both the jazz tradition and world music influences as the Brooklyn Saxophone Quartet does." - Roger Levesque, The Edmonton Journal "This is a sax quartet to be reckoned with... The sum total from this varied set is an undiminishing musicality. It should be heard by any serious devotee of the saxophone ensemble and advanced improvised music." -Grego Applegate Edwards, Cadence "In much the way the World Sax Quartet blew the wax out of people's ears, BSQ is picking up where they left off and adding a multi-culti spin to the proceedings. Wild and wooly without a lot of the excess that turns people off of free/new jazz, these players are concerned about the sound as a whole whether laying out or blasting a joyful noise. The mainstream of tomorrow is fomenting here." -Chris Spector, Midwest Record Recap "You won't even miss the bass and drums as these four horns bob and weave and play with the abandon of children - albeit very smart, well-trained children. Whether they're rendering their own songs or songs by Dizzy Gillespie and Billy Strayhorn, the musicians get deep inside the compositions and blow their way out with melody, harmony, and rhythm". - Keith Goetzman, Utne Reader "Close your eyes and you will envision the orient, forgetting the fact that it is actually four saxophones from Brooklyn! This compact, direct and passionate playing portrays a keen cultural affinity to which we all hope to achieve." - Dennis Hollingsworth, Jazz Improv Magazine "What I dig the most about this quartet is that they have heart, that breathes life into whatever they do. Amen." - Bruce Gallanter, Downtown Music Gallery "This quartet joins the World Saxophone Quartet and the Rova Saxophone Quartet as among the most innovative saxophone groups." - Steven Loewy, All-Music Guide "Eschewing the global honorific of an obvious influence, The Brooklyn Sax Quartet still manifests a sound of worldly proportions. Individual pieces prove just as creatively potent as the four players negotiating them and incorporate everything from Ghanaian talking drum rhythms to R&B, Funk, Brazilian and Free Jazz elements (all deftly channeled through saxophones). The wealth of improvisatory ideas that are continuously plugged into the shifting ensemble relationships make for some gratifying listening and the differing sonorities of the saxes are exploited to galvanizing effect." - Derek Taylor, Cadence "The Brooklyn Sax Quartet's compositions and arrangements fully feature the instruments' rich timbres...the aggregation is also gifted at weaving rich rhythmic and melodic passages throughout. It's difficult not to think of Weather Report's maxim -- "We always solo and we never solo" -- when listening to The Way of the Saxophone's six tracks, for like the stitch work of a master tailor, the lines of improv and composition are wonderfully blurred". - Reuben Jackson, Jazz Times "On both the originals and radically reworked standards, the saxophonists effectively integrate melodic, swing-based playing with dissonant, free jazz blowing...Ultimately, the Brooklyn Sax Quartet succeeds in pulling together disparate elements -- harmonious tones with atonality and through-composed form with unfettered improvising -- because of the strong rapport between the players." - Chris Wong, Vancouver Courier "...inventive and joyful, exploratory yet effortless." - Francois Couture, All Music Guide "Here's the debut disc [The Way of the Saxophone] of four guys doing what they like to do best...This quartet is ages away from others who specialize in that odd genre of museum-lobby quality, thin-lipped and somewhat repressed 20th century French saxophone quartets." - Grant Chu Covell, La Folie Music Review Magazine "Driven by the pens of Fred Ho and David Bindman, these guys blend the legacies of the WSQ and Rova. They're precise, energetic, fanciful and down with entertainment enough to put a prog spin on "Jitterbug Waltz" - Jim Macnie, Village Voice "Comparisons will be made to the World Saxophone Quartet - but these will fall short, as comparisons often do. This group is more muscular, less mannered and, if possible, more eclectic...Bindman slowly drifts into "Jitterbug Waltz". Fred sets the pace, the high horns lay the chords, and Jonas goes skating. We didn't expect such delicacy, but then again we didn't expect any of this. This group is strong, and they will be listened to. " - John Barrett, JazzUSA.com "...the Quartet offers butter-rich tones and a penchant for polyrhythms that suggest a compositional ethic stewed over years of practice, steeped in the sounds of the Brooklyn streets...The Brooklyn Sax Quartet creates music you don't need to understand to sit and sway in its rapturous hold." - Aaron Shuman SF Weekly "It's nice to know the sweet beast we call music is in such good hands, as sweet and beastly as ever." - Nathaniel Mackey
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Line drawing by Iliana Zamorska. All rights reserved. |
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